The European cinema reader - Fowler, Catherine; Canudo, Ricciotto; Ejzenštejn, Sergej Mihajlovič; Vertov, Dziga; Grierson, John; Bunuel, Luis; Bazin, Andre; Doniol-Valcroze, Jacques; Bordwell, David; Neale, Steve; Johnston, Sheila; Higson, Andrew; et al. (London ; New York : Routledge, 2002)
The birth of the sixth art (1911) / Ricciotto Canudo -- The montage of film attractions (1924) / Sergei Eisenstein -- Provisional instructions to Kino-eye groups (1926) / Dziga Vertov -- First principals of documentary (1932) / John Grierson -- Cinema instrument of poetry (1953) / Luis Buñuel -- An aesthetic of reality: neorealism (extract) (1948) / André Bazin -- 'Six characters in search of auteurs: discussion about the French cinema' (1957) / André Bazin ... [et al.] -- 'The Oberhausen Manifesto' (1962) -- Godard and counter-cinema: Vent d'Est (1962) / Peter Wollen -- Dogme 95: the vow of chastity (1995) -- The art cinema as a mode of film practice / David Bordwell -- Art cinema as institution / Steve Neale -- The author as public institution: the 'new' cinema in the Federal Republic of Germany / Sheila Johnston -- The concept of a national cinema / Andrew Higson -- Identity and the past in recent Russian cinema / David Gillespie -- DEFA and the traditions of International cinema / Barton Byg -- Catalan cinema: historical experience and cinematic practice / Marvin D'Lugo -- 'Temporary American citizens: cultural anxieties and industrial strategies in the Americanisation of European cinema' / Richard Maltby and Ruth Vasey -- The 'popular' cash and culture in the post-war British cinema industry / Janet Thumin -- Support mechanisms across Europe / Angus Finney -- The financial structure of Spanish cinema / Peter Besas -- From a 'prenational' to a 'postnational' French cinema / Martine Danan.
Bibliografija: str. [246]-254.
Kazalo
Keywords: Motion pictures -- Europe; film; Europa; europski film