Writing History, Shaping Images in Later Roman Empire
The absence of Christian themes and symbols on Constantine's triumphal arch in Rome has often been understood as a proof of Constantine's phony conversion to Christianity. However, if we look closer at the iconography of imperial art throughout the 4th century, we shall discover that it ra...
| Permalink: | http://161.53.241.124/Record/ffzg.KOHA-OAI-FFZG:310430/Details |
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| Matična publikacija: |
IKON, Časopis za ikonografske studije 5(2012) |
| Glavni autor: | Milinović, Dino (-) |
| Vrsta građe: | Članak |
| Jezik: | eng |
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| 245 | 1 | 0 | |a Writing History, Shaping Images in Later Roman Empire / |c Milinović, Dino. |
| 246 | 3 | |i Naslov na engleskom: |a Writing History, Shaping Images in Later Roman Empire | |
| 300 | |f str.15-28 | ||
| 363 | |i 2012 | ||
| 520 | |a The absence of Christian themes and symbols on Constantine's triumphal arch in Rome has often been understood as a proof of Constantine's phony conversion to Christianity. However, if we look closer at the iconography of imperial art throughout the 4th century, we shall discover that it rarely puts an emphasis on religious convictions of the ruler. | ||
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| 693 | |a Roman Empire, emperor, paganism, Christianity, iconography |l hrv |2 crosbi | ||
| 693 | |a Roman Empire, emperor, paganism, Christianity, iconography |l eng |2 crosbi | ||
| 773 | 0 | |t IKON, Časopis za ikonografske studije |x 1846-8551 |g 5(2012) |h 5 (2012);str. 15-28 | |
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