Japanese cinema
| Permalink: | http://161.53.241.124/Record/ffzg.KOHA-OAI-FFZG:337919/TOC |
|---|---|
| Ostali autori: | Phillips, Alastair (Editor), Stringer, Julian |
| Vrsta građe: | Knjiga |
| Jezik: | eng |
| Impresum: |
London ; New York :
Routledge,
2007.
|
| Predmet: |
Sadržaj:
- The salaryman's panic time: Ozu Yasujiro's I was born, but...(1932) / Alastair Phillips
- All for money: Mizoguchi Kenji's Osaka elegy (1936) / Mori Toshie
- Turning Serious: Yamanaka Sadao's Humanity and paper balloons (1937) / Freda Freiberg
- Country retreat: Shimizu Hiroshi's Ornamental hairpin (1941) / Alexander Jacoby
- The riddle of the vase: Ozu Yasujiro's Late spring (1949) / Abe Mark Nornes
- History through cinema: Mizoguchi Kenji's The life of O-Haru (1952) / Joan Mellen
- The menace from the south seas: Honda Ishiro's Godzilla (1954) / Yomota Inuhiko
- Seven Samurai and six women: Kurosawa Akira's Seven samurai (1954) / D.P. Martinez
- Women's stories in post-war Japan: Naruse Mikio's Late chrysanthemums (1954) / Catherine Russell
- A cinematic creation: Ichikawa Kon's Conflagration (1958) / Keiko I. McDonald
- Modernization without modernity: Masumura Yasuzo's Giants and toys (1958) / Michael Raine
- Questions of the new: Oshima Nagisa's Cruel story of youth (1960) / Mitsuhiro Yoshimoto
- Ethnicizing the body and film: Teshigahara Hiroshi's Woman in the dunes (1964) / Mitsuyo Wada-Marciano
- Dark visions of Japanese film noir: Suzuki Seijun's Branded to kill (1967) / Daisuke Miyao
- Eroticism in two dimensions: Shinoda Masahiro's Double suicide (1969) / Carole Cavanaugh
- Transgression and the politics of porn: Oshima Nagisa's In the realm of the senses (1976) / Isolde Standish
- Unsettled visions: Imamura Shohei's Vengeance is mine (1979) / Alastair Phillips
- Playing with postmodernism: Morita Yoshimitsu's The family game (1983) / Aaron Gerow
- Transgression and retribution: Yanagimachi Mitsuo's Fire festival (1985) / Donald Richie
- Community and connection: Itami Juzo's Tampopo (1985) / Linda Ehrlich
- The imagination of the transcendent: Kore-eda Hirokazu's Maborosi (1995) / David Desser
- Therapy for him and her: Kitano Takeshi's Hana-bi (1997) / Darrell William Davis
- The original and the copy: Nakata Hideo's Ring (1998) / Julian Stringer
- The global markets for anime: Miyazaki Hayao's Spirited away (2001) / Rayna Denison.